
Political campaigns ask voters to judge candidates. This week, many Aurora voters are being asked to judge something else: two versions of the same photograph.
Afrik Digest compared the original publicly available photograph of Dr. Anne Keke with the version reproduced in a recent political attack mailer distributed by Colorado Labor Action, an independent expenditure committee active in Colorado House District 41.
The differences are clear.
The reproduced image is darker. Facial shadowing is heavier. The appearance of Dr. Keke’s mouth and teeth differs noticeably from the original image. The overall presentation creates a materially different visual impression than the original photograph.
Those observations are why Afrik Digest is publishing both images side by side. Readers deserve the opportunity to examine the evidence for themselves.
This is the second attack mailer targeting Dr. Keke during the closing weeks of the campaign.
The first portrayed the Aurora Public Schools board member alongside stacks of cash while questioning her financial motives. Dr. Keke publicly condemned that mailer, arguing it relied on racial stereotypes rather than legitimate criticism of her record. She also called on those responsible to apologize.
According to Dr. Keke, no apology came.
Instead, a second mailer followed.
In a public statement released after the latest piece arrived in voters’ mailboxes, Dr. Keke alleged that those behind the mailer had “digitally darkened my skin, shadowed my eyes, and exaggerated my features,” describing the edits as “reminiscent of imagery used during the Jim Crow era.”
Photographs are among the most powerful tools in political communication. Before voters process headlines or policy arguments, they process faces. Lighting, contrast, and facial presentation shape first impressions.
That reality carries additional weight when the subject is a Black woman seeking public office.
American history includes well-documented examples of Black public figures being portrayed through darker tones and exaggerated features to negatively shape public perception. That history helps explain why many members of Aurora’s Black community reacted immediately upon seeing the comparison.
If the objective was simply to identify the candidate, why alter the image at all? If the objective was persuasion, why choose a version that materially changes how the candidate appears?
One photograph reflects the candidate as she presented herself to the public.
The other reflects how a political organization chose to alter that image before presenting it to voters.
Now that both images appear side by side, readers can judge for themselves.

